Two posters, two visual languages: Mucha’s *Job* (1897) and Cassandre’s *Nord Express* (1927). What changes in the line? 👀
Poster styles
2/6
Mucha’s *Job* is dated 1897; Cassandre’s *Nord Express*, 1927. This is a 30-year comparison, not a rule for every work. ✨
Poster styles
3/6
My reading: *Job* lets ornament lead; *Nord Express* feels more geometric and machine-age. That’s a reading of these examples, not a movement-wide rule. 🔎
Poster styles
4/6
Craft clue: MoMA records *Nord Express* as a 1927 lithograph, 41 × 29¼ in. 🖨️
Poster styles
5/6
Read as poster design, each makes style do public-facing work: flowing ornament invites the eye; geometry can suggest speed and order. ✨
Poster styles
6/6
Takeaway: these examples suggest a move from flowing ornament toward geometric machine-age styling, not a clean break. Their display places and specific ad purposes aren’t documented here. ✅
A close comparison of two posters: what ornament, geometry and machine-age styling can show, without turning two examples into a universal rule. 🔎
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