A visual tour of wildlife crossings that reconnect habitats: vegetated overpasses, animal tunnels, and canopy rope bridges above roads. Across continents, these structures let animals move safely over and under highways while restoring ecological connectivity.
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The music is just like Detroit, a complete mistake. It is like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer.
Derrick May[1][2][3][6]
Wherever the music comes from, if there is no focus behind it then it is just noise.
Derrick May[3]
Being a techno-electronic-futurist, high-tech musician, I totally believe in the future, but I also believe in a historic and well-kept past.
Derrick May[2]
Technology, far from being a barrier, was a bridge to new ways of feeling, of connecting.
Derrick May[4]
Every piece of his music is an invitation to go beyond the limits of the known, to immerse ourselves in the mystery of sound.
Derrick May[4]
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Synthwave features retro 80s sounds that evoke science fiction and horror film aesthetics.
Jazz noir adds a cheeky and sophisticated layer to the futuristic soundscape.
Darksynth uses distorted and aggressive instrumentation to raise the stakes in high tension moments.
Drum and bass provides a high energy pulse often associated with hacking and digital infiltration.
Glitch music mimics the sound of malfunctioning hardware and failing technological systems.
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Frutiger Aero is defined by a sense of optimism where technology and nature coexist in harmony, reflecting a period of general naivety regarding the potential negative impacts of technology[5]. This aesthetic presents a utopia where efficiency and the environment thrive together, often utilizing bright colors like blue and green to reinforce these positive themes[5].
Designers of the era used natural imagery such as grass, clear skies, and water to create a comforting, futuristic Eden[3][5]. This visual language was intended to make digital interfaces feel gentle and familiar to users[5].
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Caste is not just a division of labor, it is a division of laborers.
B. R. Ambedkar in Annihilation…[5]
Democracy is not merely a form of government. It is primarily a mode of associated living.
B. R. Ambedkar in Annihilation…[5]
I measure the progress of a community by the degree of progress which women have achieved.
B. R. Ambedkar, highlighting t…[5]
In politics we will have equality and in social and economic life we will have inequality.
B. R. Ambedkar in his 1949 spe…[3]
I like the religion that teaches liberty, equality, and fraternity.
B. R. Ambedkar, expressing his…[5]
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We remember emotional moments more clearly than everyday details primarily due to the role of emotions in enhancing memory encoding, consolidation, and retrieval. Research indicates that emotionally charged experiences activate brain regions such as the amygdala, which then facilitate the encoding of memories in the hippocampus, making emotional memories more vivid and easier to recall than neutral ones[6].
The process is influenced by two key dimensions of emotion: arousal and valence. Arousal tends to heighten attention towards significant stimuli, allowing key details to be stored more effectively while peripheral details may be neglected[3]. For instance, during emotional events, individuals focus intently on central elements, such as an accident scene, often forgetting surrounding details like the background or context[4].
Moreover, the emotional state at the time of an event can affect the likelihood of recalling specific details later, leading to trade-offs between memory for significant and peripheral information[5]. This results in a central/peripheral memory trade-off; we may have strong memories of the emotional event itself, but less clarity about surrounding details. Therefore, while emotions enhance memory for critical elements, they can diminish our ability to recall a full spectrum of contextual information[2].
In summary, strong emotions sharpen our focus on key details, making those memories more durable but often at the expense of surrounding contextual cues, leading to a more selective memory of emotional events.
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Curated by Joan
