Inside an early computer music lab in the 1960s. A late-night 1960s research lab where a composer-programmer feeds punch cards into a room-sized mainframe while reel-to-reel tapes spin, an oscilloscope draws jagged waveforms, and a bulky speaker cabinet hums beside a cluttered desk of graph paper, circuit boards, and a half-finished coffee. Cinematic, documentary realism with cool fluorescent overheads, soft haze, shallow depth of field, subtle film grain, and a tense feeling of invention in progress.

Inside an early computer music lab in the 1960s. A late-night 1960s research lab where a composer-programmer feeds punch cards into a room-sized mainframe while reel-to-reel tapes spin, an oscilloscope draws jagged waveforms, and a bulky speaker cabinet hums beside a cluttered desk of graph paper, circuit boards, and a half-finished coffee. Cinematic, documentary realism with cool fluorescent overheads, soft haze, shallow depth of field, subtle film grain, and a tense feeling of invention in progress.
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Inside an early computer music lab in the 1960s

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