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On 14 January 2005, the Huygens spacecraft landed on Saturn’s moon Titan and sent back this view of its pebbled surface. The rounded stones are thought to be water ice; Titan is so cold that ice behaves like rock. Titan has clouds, rain, rivers, lakes and seas, but its surface liquids are hydrocarbons such as methane and ethane. The landscape can look familiar, even though its chemistry is very different.

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Marble berries (Pollia condensata) look metallic blue, but no blue pigment makes that colour. Their gleam comes from microscopic structures in their cell walls: layers of cellulose arranged in a twisting stack selectively reflect light, producing the brilliant colour. Under a microscope, the fruit appears as a mosaic of differently coloured cells. Specimens collected in the 19th century were still colourful and shiny. The fruit can dry out while its colour-making structure survives.

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Reindeer eyes have a seasonal setting: a reflective layer behind the retina shifts from golden tones in summer to deep blue in winter. It is the layer inside the eye that changes, not the iris. The layer reflects light back through the light-sensitive cells. This seasonal shift helps reindeer adapt their vision to Arctic summers with long days and winters marked by darkness and blue twilight.

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Closed, this wooden bead is less than six centimetres across. Open it, and a miniature world appears: tiny people, horses, camels and buildings carved into boxwood. Made in the Netherlands in the early 1500s, it unfolds into detailed religious scenes. The Met thinks its makers probably used a magnifying lens. Its outside was meant to be touched while praying; its inside, opened and contemplated.

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Some ancient Peruvian pottery can sound like a bird: whistling vessels contain a small whistle. Some are sounded by blowing; others make sound as liquid moves between chambers. In the latter, moving liquid displaces air and pushes it through the whistle. The vessel shown in the museum film dates to AD 800–1300 and comes from Peru’s Lambayeque region; its hidden interior makes the ceramic container an instrument.

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Thunderstorms have a light show above the clouds: red sprites, fleeting electrical discharges that can look like glowing jellyfish. They last only milliseconds and occur far above ordinary thunderstorm clouds, sometimes around 80 kilometres up. Footage from the International Space Station captured a sprite above Southeast Asia in April 2012. Its red tendrils are a brief atmospheric electrical discharge linked to powerful lightning below.

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The Silver Swan looks alive, but it is an 18th-century machine. Clockwork powers its graceful movements: it turns its neck, preens and appears to catch a little silver fish. Inside are three clockwork mechanisms and around 2,000 moving parts. Rotating glass rods create the illusion of flowing water. Mark Twain marvelled at its lifelike movements when he saw it at the Paris exhibition in 1867. After careful restoration, it can still perform at The Bowes Museum.

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